The last time I wrote about Milton Man Gogh, I said that they exist. I'm certain they still do. I'm certain they are not some fabrication found within a dream I...
I've been trying to work out what to say about Cool World, Chat Pile's currently most recent non-collaborative album. It's an excellent album, incisive, sometim...
Around the middle of 2025 I decided to listen to most of Nick Cave & the Bad Seeds' studio discography. Never been much a fan of Nick Cave, but I like some ...
SEIMS are a project that does project things. It's a project that weaves sounds together in a manner that creates forms that we refer to as "Music". Tomorrow SE...
If you're into Opeth, then you know Martín Méndez and his tasteful bass playing. Near the end of 2024 I was afforded the opportunity to talk to Martín about Ope...
So the first thing to get across is that Melt-Banana's 3+5 is relentless. From the opening squeals forming into song on "Code" to the final thrust of energy in ...
In working out how to talk about Bad Guys in Good Guises, I thought it might be funny to be an asshole about it. You know, really critical, really beat down on ...
When Eunoia was announced I felt apprehensive. I think I had a brief listen of "Beyond the Raindrops" and "Whiteout" when they came out in advance, but neither ...
Opeth are now up to The Last Will and Testament, which is all about the reading of a last will... and testament. It's conceptual. It contains music. It also fin...
Way back when I was somewhere around twelve or thirteen or fourteen I was into Paul Oakenfold. Still am a bit, though the interest certainly has faded over time...
